Collagraph & Carborundum Workshop

Collagraph is a method of printmaking that uses texture to create a wide variety of tone and line on a plate. The process begins by making a textured plate from a thin mount board base where a variety of materials are applied to create an intricately textured printing plate. The plate is printed using an etching press and can be printed intaglio, relief or both.

Cyanotype

Cyanotype or ‘blue print’ – is one of photography’s oldest printing methods. Originally developed to reproduce plans and technical drawings, and ‘Blue Prints’ to catalogue plant material for botanists. On this one day course you can work with a photograph, a drawing on transparent film, or real objects or plant material to create a small edition of prints.

With this process we treat our printing paper with a photographic emulsion and use UV light to expose our images onto the paper itself before developing the beautiful deep blue prints.

Screenprinting process where the emulsion ink is washed off where it hasn't been dried due to the illustration blocking light

Beginners Screenprint

On this two-day workshop you will learn the basics of preparing hand drawn separations using a range of mark making technique and paper stencils to create a small edition of original prints.

Print Your Own Christmas Card Class – Linocut – 7th December

Print your own Christmas Cards this year with a linocut design that you have created here at the studio on this 3 hour taster session

Digital Camera Work

Beginners/Refreshers – This class is designed for the bamboozled digital camera user who is looking learn enough to get better results from their photography.

Etching image

Etching for Beginners / Refreshers

This weekend class will be a great introduction to etching. Work directly onto a steel plate, developing images through various hand applied techniques.

Wood Engraving

Using sketches and photographs, participants will receive a comprehensive introduction to the tools and techniques of wood engraving; cutting and printing onto lemonwood blocks to achieve diverse results from experimental, abstract cuts to detailed representational pieces.

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